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This set of anti-magnetic precision screws is essential for a correct and stable mouting of a cartridge. With Mount it you will be able to install a multitude of different cartridge types on your tonearm or headshell. A correct and secure mounting of a ca

Pro-Ject Stainless Steel Anti-Magnetic Precision Screws

This set of anti-magnetic precision screws is essential for a correct and stable mouting of a cartridge. With Mount it you will be able to install a multitude of different cartridge types on your tonearm or headshell. A correct and secure mounting of a cartridge is especially important for a distortion free sound. The anti-magnetic allen screws of the Mount it set guarantee, that no electrical interaction to the cartridge-spools and magnets is produced. With this the cartridge can work clean and precise. The Mount it sets consists of three different sized screws to ensure that all common cartridges are covered.

Pro-Ject was founded in 1991, during the onslaught of the compact disc and CD players, with the mission to offer the best analogue experience for reasonable prices. In a time where the digital audio media had been on the rise, and vinyl was declared as ou

Pro-Ject Polished Aluminum Record Puck

Record Weight for Turntables with Inverted Bearings

Record Puck Only, Other Pieces Sold Separately.

Pro-Ject was founded in 1991, during the onslaught of the compact disc and CD players, with the mission to offer the best analogue experience for reasonable prices. In a time where the digital audio media had been on the rise, and vinyl was declared as outdated and dead, Heinz Lichtenegger kept his belief in the simple but best way to enjoy music – turntables.

Record brooms have been around since the early 1970s. Some of them do a good job, some rather not. In many cases the brush rushes towards the middle of the platter, running out of sync with the tonearm. This phenomenon is known as skating. Recent developm

Pro-Ject Black Magnetically Stabilized Record Broom

The magnetic attraction between the neodymium magnet – based in the top part of the cylinder – and  the [Fe] core/counterweight stabilizes the record brush. Moreover, the distance between the neodymium magnet and  the [Fe] core/counterweight is carefully chosen to ensure a specific magnetic stabilization force. As the aluminium of the brusharm is paramagnetic, it acts like an additional space between the neodymium magnet and  the [Fe] core/counterweight. Sweep it S2 is height adjustable within a range of about 1cm. The position can be locked with the set screw on the base. With this mechanism, it is possible to adjust the height of the arm of the record broom in order to align it horizontally with the platter. A correct horizontal alignment ensures the correct tracking force of about 6g.

The record broom can be placed in one of two left hand side corners of the turntable. The placement is depending on the type and shape of your turntable. At the optimal position the brush should align with the spindle (i.e. the center of the platter). Deviations (relative to the spindle) between 1,5 to 2 cm are well compensated by design of the Sweep it S2. Higher deviations can cause more drastic skating effects.

Avoids the common record broom phenomenon known as „skating“

Natural hair brush with extremly low electronegativity

Constructed in collaboration with Klaus Mick

Available in silver and black metal finish

Record brooms have been around since the early 1970s. Some of them do a good job, some rather not. In many cases the brush rushes towards the middle of the platter, running out of sync with the tonearm. This phenomenon is known as skating. Recent developments aim to tackle this problem. Here the highly efficient neodymium magnet comes into play. These magnets are used to stabilize the record broom of the Sweep it S2. Sweep it S2 is constructed in collaboration with Klaus Mick and uses his patented technology to stabilize the record broom. Extensive theoretical and empirical research has been put into the development of this product.

Pro-Ject Clear Acrylic Dustcover

Compatible with all Pro-ject RCMs except VC-E. With VC-S2 ALU, the cover sits atop the machine and fits perfectly, but it does not attach (VC-S2 has no hinges).

Dustcover Only, other pieces sold separately.

Fitting to our Signature tone arms and turntables, we developed 3 different headshells. In general every material has its own sound character. So try it! Additionally it allows you to have a cartridge collection with different types of phono cartridges.

Pro-Ject Carbon Signature Headshell

Cartridge mounting with SME standard connection

Fitting to our Signature tone arms and turntables, we developed 3 different headshells. In general every material has its own sound character. So try it! Additionally it allows you to have a cartridge collection with different types of phono cartridges. So you can select your favorite for different type of music or records to maximize your sound quality. The different mass of the Headshells gives also the possibility to get the correct weight of your cartridge/headshell combination, which fits perfect to your arm!

You can use the mounting screws of your cartridge, but if you want a set of anti-magnetic screws to be able to install a multitude of different cartridge types on your Signature Headshell, Pro-Jects Mount it is your perfect choice.

Fits all tonearms with SME mounting standard

3 different headshell materials: Alu, Carbon, Oak

High conductivity OFC headshell cables included

Pro-Ject Oak Signature Headshell

This Record Puck PRO ensures a firm fit between the record and the turntable. Record pucks use weight to secure a record against the turntable. This improves the sound performance of the turntable in terms of timing and sound depth.

Pro-Ject Satin Nickel Record Stabilizer

Reduces unwanted resonances & improves playback of warped records. The label is protected by the felt pad on the underside.

Functional, elegant with a nickel finish.

With the Pro-Ject VTA it, the vertical tracking angle of the tonearm can be adjusted. You can then use upgrade platters, mats and cartridges. VTA it is compatible with Debut I-III, Debut Carbon, Debut Carbon EVO, Essential I-III (only in the standard conf

Pro-Ject 1.5mm Tonearm Spacer

With the Pro-Ject VTA it, the vertical tracking angle of the tonearm can be adjusted. You can then use upgrade platters, mats and cartridges. VTA it is compatible with Debut I-III, Debut Carbon, Debut Carbon EVO, Essential I-III (only in the standard configurations). A Philips # 1 screwdriver & 5.5 mm nut driver wrench are required for installation.

The installation of “VTA it“ should be done by an experienced technician. Unauthorized installations void the warranty.

Adjust the vertical tracking angle setting

Compatible with: Debut I-III, Debut Carbon, Debut Carbon EVO, Essential I-III (only standard configurations)

With the Pro-Ject VTA it, the vertical tracking angle of the tonearm can be adjusted. You can then use upgrade platters, mats and cartridges. VTA it is compatible with Debut I-III, Debut Carbon, Debut Carbon EVO, Essential I-III (only in the standard configurations).

This long-awaited add-on for cleaning 7” records on VC-S/VC-E will help to recondition your valuable vinyl's. Whereas the standard record clamp and vacuum arm are perfect for 12 inches, this 7” kit fulfills your needs for 7” singles.

Pro-Ject Add-On Kit

This long-awaited add-on for cleaning 7” records on VC-S/VC-E will help to recondition your valuable vinyl's. Whereas the standard record clamp and vacuum arm are perfect for 12 inches, this 7” kit fulfills your needs for 7” singles. A dedicated clamp and a vacuum arm that gives full vacuum power is included as well as a spare bottle of 100ml Wash it cleaning concentrate.

Optimized cleaning efficiency for 7” records

2 different versions suitable for alu & synthetic flange assembly versions of VC-S

Vacuum arm for 7” records including short adhesive velvet strips

Clamp for 7” records (standard clamp will not fit)

Wash it vinyl cleaning concentrate (100ml bottle).

We have always been dedicated to natural, acoustic music from a broad range of genres. The incomparable experience of great sound in the comfort of your own home continues to drives Pro-Ject Audio Systems, and our goal has been to spread this emotional ex

Pro-Ject 7RAY Feature Triple Ace – Jazzy Zoetrope Studio and Live Recording Vinyl

Studio and Live Recording at Studio Baumgarten & Pro-Ject Headquarters

We have always been dedicated to natural, acoustic music from a broad range of genres. The incomparable experience of great sound in the comfort of your own home continues to drives Pro-Ject Audio Systems, and our goal has been to spread this emotional experience to as many people as possible. For nearly 30 years we have brought true Hi-Fi stereo at an affordable price to hundreds of thousands of customers – so they can enjoy that experience. But what about the available recordings?

From time-to-time we invite great musicians to perform in our company headquarters in Mistelbach, Austria. We have always been playing with the idea to record these sessions, but only using real analogue tape with reduced microphoning, captured live in true stereo with no compression or extensive editing – just live. One of the problems with this idea is that very few musicians are willing or able to record in such an environment, where no cuts and corrections are possible. That’s a lot of pressure for any recording artist. By pure coincidence and great luck, CEO Heinz Lichtenegger has learned that Austria’s own 7RAY is not only a great singer and musician, but also a keen audiophile. So it was amazing to find that he was immediately enthusiastic about the idea. Working with 7RAY we developed a concept to make both a special studio album (and by special, we mean special – learn more in the text), and a live recording direct from our company headquarters; giving you the ability to hear a direct comparison of recording styles.

Please enjoy this wonderful audiophile experiment and experience the true emotion of quality music!

Studio and Live Recording in all analogue AAA production

Recorded at Studio Baumgarten & the Pro-Ject Headquarters

Pure analogue recording, mixing and mastering

No cuts - no edits - just live and natural

Available as Vinyl LP or direct Master Tape Copy

Pressed on 180g premium-quality vinyl, handcrafted by austro vinyl in Austria

1/4“ SM468 tape on 2 x 10.5“ NAB metal reels in 15ips/CCIR/320nW

Reel A - Studio Recording / Reel B Live Recording

We have always been dedicated to natural, acoustic music from a broad range of genres. The incomparable experience of great sound in the comfort of your own home continues to drives Pro-Ject Audio Systems, and our goal has been to spread this emotional experience to as many people as possible.

The new vinyl edition of the Vienna Philharmonic on Pro-Ject Audio Systems is being transferred directly from the original tapes of Deutsche Grammophon and Decca, with no intermediate digital processing. Heinz Lichtenegger, owner and mastermind of Pro-Jec

Pro-Ject Wiener Philharmoniker & Herbert von Karajan – Richard Strauss Vinyl

Hallmark Recordings of the Vienna Philharmonic re-issued by Pro-Ject Audio Systems: “Analogue only” sets the Standard of Sound Quality.

The new vinyl edition of the Vienna Philharmonic on Pro-Ject Audio Systems is being transferred directly from the original tapes of Deutsche Grammophon and Decca, with no intermediate digital processing. Heinz Lichtenegger, owner and mastermind of Pro-Ject Audio Systems, is not only an avid music-lover in his private life. Over the years he has emerged as one of the most vocal international proponents of the analogue audio world. Out of his admiration for the Vienna Philharmonic, a plan emerged to re-release 12 legendary recordings of the world-famous orchestra from the analogue era.

The selected recordings of the Vienna Philharmonic are basically known for their high-fidelity sound – after all, Decca and then Deutsche Grammophon only allowed the very best sound engineers to work with this top-notch orchestra. With this series, Pro-Ject Audio Systems wants to capture the original condition of these irreplaceable recordings as part of our cultural heritage for posterity.

Together with a team of specialists, Lichtenegger chose Herbert von Karajan, to be featured on this Vienna Philharmonic LP. Counting all concerts, operas, tours and recording sessions together, the Vienna Philharmonic performed around 700 times with Herbert von Karajan, beginning in 1934 and ending with the conductor‘s death in 1989.

These tone poems by Strauss constitute striking examples of the unique artistry of Karajan‘s interpretative powers. They were recorded in Vienna‘s Sofiensäle in the late 1950s and early 1960s with the Vienna Philharmonic Orchestra and attest to nothing less than Karajan‘s exceptional feeling for sonority, balance and, above all, expressive depth.

As Lichtenegger says: “We produce the best possible quality for our customers and, while the original tapes continue to age, the vinyl records document their acoustic condition from 2019.”

Remastered with care and love from the original master tapes by Georg Burdicek (Tonzauber)

Produced in co-operation with Pro-Ject Audio Systems to reproduce the original music and sound experience of these famous concerts in the Sofiensaal, Vienna, held and recorded in the 1950‘s and 1960‘s

Pressed on 180g premium-quality vinyl in highest precision by Pallas Germany

The new vinyl edition of the Vienna Philharmonic on Pro-Ject Audio Systems is being transferred directly from the original tapes of Deutsche Grammophon and Decca, with no intermediate digital processing. Heinz Lichtenegger, owner and mastermind of Pro-Ject Audio Systems, is not only an avid music-lover in his private life.

This record was produced in cooperation with Pro-Ject Audio Systems to reproduce the original music and sound experience of this famous concert in the Golden Hall at the Wiener Musikverein. Pressed on 180g premium-quality vinyl in highest precision by Pal

Pro-Ject Wiener Philharmoniker & Karl Böhm – Ludwig Van Beethoven Vinyl

Remastered with care and love from the original master tape by Georg Burdicek

This record was produced in cooperation with Pro-Ject Audio Systems to reproduce the original music and sound experience of this famous concert in the Golden Hall at the Wiener Musikverein. Pressed on 180g premium-quality vinyl in highest precision by Pallas Germany.

In 1803 Beethoven jotted down in his notebook: “Babbling brooks, andante molt[o], the larger the brook the deeper the tone” and wrote out initial sketches for the dance rhythm of the third movement. Five years later he labelled the first three movement as scenes: “Scene: Arrival in the countryside [and] effect on the mood”, “Scene by the brook”, and “Scene: Festive gathering”, to which he added “Even without descriptions the whole will be heard more as expression than as tone-painting”. In the end he prefixed the symphony with the words “More expression of feeling than painting”. Though the symphony was inspired by impressions of nature (Beethoven called it “Pastoral Symphony, or Recollection of Country Life”), this F major composition is not intent on describing natural events. Rather, it was the idea of nature itself that he poured into the form of the symphony, giving it five instead of the customary four movements. Thematically, the work is basically constructed of triads. The opening of the first movement already states the formative material of the following Allegro, which owes its characteristic color not least of all to sustained pitches suggesting bagpipes and hurdy-gurdy. The “Scene by the brook”, with its onomatopoeic allusions to birdsong, is conceived as an expanded rondo. Whether or not the cry of the cuckoo struck a special chord with Gustav Mahler, just such a cry is found in the opening of his First Symphony.

The third movement, which substitutes for a scherzo, draws its character from the German dance known as a Deutscher. It is a gruff and assertive Allegro that leads directly to the symphony’s dramatic climax: a musical thunderstorm. Here thunderclaps are depicted by 16th-note quintuplets in the cellos and double basses, and raindrops by a flashing four-note figure in the violins. The finale follows without a break, leading once again to the tranquil atmosphere of the first movement. That Beethoven should return to the rondo idea of this movement in his late String Quartet op. 132 has to do with the similarity of their subjects: in the finale of the “Pastoral” the shepherds show their gratitude that the storm has subsided, whereas in the string quartet a man previously afflicted with a severe illness offers thanks to God for his recovery.

It was the success of this performance of Tristan und Isolde at the Vienna Opera (which Böhm served as director in 1943-45 and again in 1954-56) that led to his début concert with the Vienna Philharmonic in April 1933. His last concert was given in Japan in 1980. If we add to this his 667 appearances at the Vienna State Opera, Karl Böhm, “Austria’s General Music Director”, stood at the helm of the Vienna Philharmonic 1430 times. This figure does not even include the sessions for the many recordings he made with the orchestra during the 48 years of their collaboration. Among them is his rousingly acclaimed complete recording of the Beethoven symphonies from the early 1970s, along with several overtures, including Egmont, composed in 1810 for a Vienna performance of Goethe’s like-named tragedy. All of them bear eloquent witness to a musicianly ideal noted for precision and naturalness of expression, and provide documentary evidence of Böhm’s flawless sense of tempo.

Pressed on 180g premium-quality vinyl in highest precision by Pallas Germany.

Karl Böhm, who was born in Graz in 1894 and died in Salzburg in 1981, occupies a special place in the history of the Vienna Philharmonic. In 1967 this doctor of jurisprudence became the first person to whom the orchestra awarded the title “honorary conductor” – a distinction that has since then been accorded only once more in the orchestra’s history, namely, to Herbert von Karajan in 1980. Just how warmly Böhm felt toward the orchestra is evident in the words that he spoke at his last appearance with the Philharmonic. It was the final recording session for a film version of Elektra by Richard Strauss, who numbered Böhm among his favorite conductors: “I’ve loved the orchestra like a human being ever since I heard it for the first time, standing at the back of the stalls in the Musikverein, and ever since I first conducted Tristan at the State Opera.”

To celebrate Zubin Mehta’s 80th birthday, Decca (Universal Music) proudly presents iconic Zubin Mehta albums in cooperation with The Vienna Philharmonic Orchestra and Pro-Ject Audio Systems. A must-have for music fans of the analogue era back on heavy-wei

Pro-Ject Gustav Mahler – Symphony No. 2 Vinyl

To celebrate Zubin Mehta’s 80th birthday, Decca (Universal Music) proudly presents iconic Zubin Mehta albums in cooperation with The Vienna Philharmonic Orchestra and Pro-Ject Audio Systems. A must-have for music fans of the analogue era back on heavy-weight vinyl. Presented with original artwork, this recording has been carefully mastered from the original Decca analogue tapes at Abbey Road Studios.

This is probably Mehta’s finest Mahler album ever. The first movement is very dramatic. Mehta opens with a very tense, brisk tempo. Mehta never rushes, but never drags. The timpani is very well-defined, however not overpowering, throughout the movement, as well as throughout the entire disc. The Andante is played very well. The phrasing is wonderful. The Scherzo starts out the best I have ever heard. Two crisp, crystal clear Timpani strikes. Then the next 2 are softer, then the next 2 are even softer, which gives it an amazing affect.

Then to the Urlicht. Mehta’s slower tempo just adds to the heartbreaking beauty. Add to that the gorgeous singing of Ileana Contrubas and you have got a winning combonation. To the massive finale where Mehta really triumphs. The tempi are perfect. Mehta builds the climaxes perfectly, never dragging. The brass play superbly! I heard some of the lower brass instruments in this movement that I didn’t even hear before in my other recordings. Very impressive. When the chorus enters, just listen to the bass singers! Spectacular. The entire chorus sounds heaven-sent. Contrubas and Ludwig sing crystal clear and beautifully. The organ is heard very clearly. The combonation of perfect tempi, magnificent signing and ultra-vituostic playing make the finale one of the most moving pieces of music you will ever hear.

This recording has everything you could possibly ask for. Mehta’s perfect tempi, great signing by Contrubas, Ludwig, and the Vienna Staatsopernchor. The Vienna Philharmonic, particularly the brass, play just like the virtuostic ensemble that they are. Go and get it ASAP.

The Vienna Philharmonic conducted by Zubin Mehta

Limited edition exclusively for Pro-Ject Audio Systems (only 2000 copies available worldwide)

Remastered From Original Decca Analogue Tapes at Abbey Road Studios

1975 The Decca Record Company Limited, London

In celebration of Zubin Mehtas 80th birthday

Includes voucher for free download of digital copy

Cast: Vienna Philharmonic, Zubin Mehta (Conducter)

To celebrate Zubin Mehta’s 80th birthday, Decca (Universal Music) proudly presents iconic Zubin Mehta albums in cooperation with The Vienna Philharmonic Orchestra and Pro-Ject Audio Systems. A must-have for music fans of the analogue era back on heavy-weight vinyl.

The Pro-Jects tonearm philosophy normally uses stiff, one piece, mid to light weight designs with Cardan pin point bearing. This tonearms perform best with all MM cartridges and MC cartridges with middle compliance. 

Pro-Ject Chrome Plated Aluminum 12“ Signature Tonearm

Single pivot tonearm with SME headshell connection

The Pro-Jects tonearm philosophy normally uses stiff, one piece, mid to light weight designs with Cardan pin point bearing. This tonearms perform best with all MM cartridges and MC cartridges with middle compliance. They are responsible for our famous lively, fast and dynamic sound, even in lower price ranges. A unique counterweight construction allows you to balance cartridges from 5 up to 25 grams (excluding headshell) depending on weight of the chosen headshell (up to 37 grams with ´Alu´, up to 39 grams with ´Carbon´, up to 41 grams with ´Wood´). So, this is also an ideal tonearm for direct mounting of SPU cartridges.

However the high-end analogue market has moved to a more classic design and use of relatively heavy cartridges with low compliance and low resonance frequency. This allows big sound on big systems. Such cartridges need a heavier arm with more internal damping. Additionally, many customers today want to use different cartridges with different sound types depending on the music style. For this you need a detachable headshell to ensure easy and quick changeovers.

We use different alloys of metal and aluminum, all worked on the highest precision CNC machine with diamond cutters. The classic S-shaped tonearm tube is made from special aluminum with highest internal damping. To keep the speed of the Pro-Ject sound, we use a special oil-damped uni pivot design. Most common S-shape arms use ball race bearings with much higher friction, which tends to sound slow in an arm with high effective mass. To make the installation of different cartridges even easier, you can adjust overhang at the tonearm base and adjust the VTA via a hand-set without any additional tool. It´s easy and superfast!

Single pivot design with minimized bearing friction

Fits low to high cartridge mass, including 32gr. SPU

High rigidity aluminum headshell (12gr) with built-in fingerlift included, allows 1/2 inch cartridge mount

Built-in 5-pin DIN connector (tonearm cable not included)

Measure it, Alignment + Mounting distance tools included

Optional headshells available: Wood (8gr) & Carbon (10gr)

Turntable Accessories

Pro-Ject 1.5mm Tonearm Spacer

$25.00

Pro-Ject 7RAY Feature Triple Ace – Jazzy Zoetrope Studio and Live Recording Vinyl

$60.00

Pro-Ject Add-On Kit

$179.00

Pro-Ject Black Magnetically Stabilized Record Broom

$169.00

Pro-Ject Carbon Signature Headshell

$199.00

Pro-Ject Chrome Plated Aluminum 12“ Signature Tonearm

$3,299.00

Pro-Ject Clear Acrylic Dustcover

$69.00

Pro-Ject Gustav Mahler – Symphony No. 2 Vinyl

$50.00

Pro-Ject Oak Signature Headshell

$159.00

Pro-Ject Polished Aluminum Record Puck

$199.00

Pro-Ject Satin Nickel Record Stabilizer

$79.00

Pro-Ject Stainless Steel Anti-Magnetic Precision Screws

$19.00

Pro-Ject Wiener Philharmoniker & Herbert von Karajan – Richard Strauss Vinyl

$50.00

Pro-Ject Wiener Philharmoniker & Karl Böhm – Ludwig Van Beethoven Vinyl

$50.00

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